Taariikh nololeedka Angela Finocchiaro

 Taariikh nololeedka Angela Finocchiaro

Glenn Norton

Shaxda tusmada

Biography. Majaajiliiste xamaasad leh oo caqli badan, taas oo ah, bartamihii 70-meeyadii waxa uu ka qayb galay marxaladaha kala badh Talyaanigu iyada oo la adeegsanayo layliyo dheer oo uu la qaatay shirkadda tiyaatarka caanka ah, oo leh asal tijaabo ah, oo loo yaqaan "Quelli di Grock" (kaas oo uu ka qayb qaatay aasaaska) .

Bandhigyada, is-dhibitaanka "Aan toogan balanbaallayaasha" ayaa si gaar ah xusid mudan. Waxaa ku filan in la yiraahdo agaasimayaasha iyo aasaasayaasha "Quello di Grock" waxaa sidoo kale jiray Maurizio Nichetti si loo fahmo heerka ay gaareen kooxda.

Laga soo bilaabo 1976 ilaa 1980, Angela Finocchiaro waxay u dhaqantay bandhigyo kala duwan, hadda si fudud madadaalo, hadda oo leh majaajillo gaar ah oo iftiin leh, oo aynaan ku fashilmin inaan xusno "Felice e Carlina", "La città degli Animal ", "Aan ciyaarno inaan ahaa", "Kaalay riyadeyda", "Dudu Dada". 1980, iyada oo ay weheliso Carlina Torta iyo Amato Pennasilico, waxay soo bandhigtay bandhigga "Panna Acida" (magac dambe oo sidoo kale loo bixiyay kooxda masraxa cusub ee dhalan doona) isla sanadkaas ayay ka qaybgashay Filimkii siin lahaa sumcaddeeda qaran: "Rataplan" fantastik ah, oo uu qoray Maurizio Nichetti.

Si kastaba ha ahaatee, go'aankiisa masraxeed ayaa weli ah mid joogto ah, in kasta oo sasabasho adagi jirtoee showbiz shaleemada. Dhab ahaantii, iyadoo la raacayo hagidda Gaetano Sansone, wuxuu ka qaybqaataa rakibaadda isku-dhafka qoraallada ee Giorgio Manganelli ee "Carnival Venice".

Sidoo kale eeg: Taariikh nololeedka Courtney Cox

Abuurka iyo kuwa aan la joojin karin, 1981-kii Angela Finocchiaro waxay qortay, tarjumtay oo la jaanqaadaysa Carlina Torta iyo Amato Pennasilico oo ah bandhigga labaad ee "Panna Sourdough: Scale F", iyada oo aan nafteeda u hureynin sidoo kale habdhaqanka iyo fikradda raadiyaha "Waan soo laaban doonaa".

Naag aad u caqli badan oo leh karti dhinacyo badan leh, awood u leh inay ka fikirto waxay qabato iyo sababaha qoto dheer ee shaqadeeda, Angela Finocchiaro waxay inta badan soo jiidatay dareenka adduunka madadaalada kaliya maahan xirfadeeda jilitaanka, sida markii ay u yeertay Teatro La Baracca si ay ugu qabato siminaar ku saabsan dhibaatooyinka shaqada masraxa ee Bologna.

Sidoo kale eeg: Taariikh nololeedka Benito Mussolini

In muddadii 1982-1983 ayay ka qayb-qaataha-protagonist ee show ah "Arsenic iyo Xarig duug ah" (Teatro Nuova Scena wax soo saarka), halka sanadka soo socda, aan ka daalin waxbarashada iyo ka qayb qaadashada, waxay dhigataa siminaarka Teatro di Porta Romana ee Milano oo uu qabtay Dominio De Fazio kaas oo uu la sii wadi doono inuu wax ku barto Rome isagoo uga mahadcelinaya deeq waxbarasho oo ay maalgalisay Gaumont.

1984 isaga oo ka wakiil ah degmada Milano, dib u eegistii "Milan ee xagaaga", wuxuu dhigay bandhigga "Miami" oo matalaya.at Teatro di Porta Romana oo uu ka qaybqaato qormada ku saabsan riwaayadaha Civica Scuola d'Arte Drammatica ee Milan, oo lagu qabtay Teatro Piccola Commenda.

Waxay ahayd 80-maadkii silica markii telefishanku uu qarka u saarnaa dhammaan noocyada kale ee madadaalada, sidaas darteed atariishada, oo ay weheliso Nichetti oo aan waligeed la iloobin iyo Gabriele Salvatores (maamulaha cibaadada mustaqbalka), waxay nolosha siisaa baahin loogu talagalay Canale 5 , oo cinwaankiisu yahay "Quo vadiz".

Qaar ayaa laga yaabaa inay u maleynayaan in waqtigan, Angela Finocchiaro aysan sugi karin inay xoogaa nasato, ka dib toban sano oo ay ku qaadatay xawaare duufaan ah. Ma jiraan wax qalad ah oo ka sii xumaan kara: wuxuu fadhiistaa miiska wuxuuna u qoraa bandhigga "Viola" ee kooxda "Panna Acid".

Sannadkii 1985-kii, waxa uu socdaal ku tagay dalka Talyaaniga si uu ugu soo bandhigo calanka shirkadda. Hal mar, xitaa Rai wuu garwaaqsaday, wuxuuna ka taxadarayaa inuu fuliyo filimka telefishanka ee "Viola" iyo "Scala F" (kan dambe ayaa loo xushay dib u eegista "Video Teatro" ee Riccione), sidaas awgeedna suurtogalnimada, kuwa ma awoodin ama ma rabin in ay raacaan bandhigyada, si aad fikrad uga hesho shaqada ay qabteen kooxdan masraxa qalaad. Dhanka kale, wadashaqeyntu waxay sii socotaa koorsada riwaayadaha ee uu sameeyay Giuseppe Di Leva ee Civica Scuola d'Arte Drammatica ee Milan.

Waxay matashaa bandhigyada "Viola" iyo "Scala F" ee Bandhigga Caalamiga ah ee Manizales (Colombia) iyou qabtaa siminaar masraxa jilayaasha Akadeemiyada Farshaxanka Riwaayadda ee Bogota.

Kadib wuxuu sameeyay kulankiisii ​​​​ugu horreeyay ee hal-abuurka cabaret "Bocconcini" ee Giancarlo Cabella, guul weyn oo uu la gaaray dadweynaha iyo dhaleeceynta.

Ka dib waxa uu sidoo kale keeni doonaa masraxa "La stanza dei fiori di china" oo uu dhiirigeliyay sheekada xiisaha leh ee "Ubaxyada Algernon" ee Daniel Keyes, oo lagu soo bandhigay taxanaha "Scena" ee masraxa Porta Romana. Mar labaad, naqdiyeyaashu kuma boodboodaan ammaanta, halka daawadayaashu ay gacmahooda ka fiiqayaan si ay u ammaanaan dabeecaddan dhabta ah ee u gaarka ah masraxayada.

Marka laga reebo masraxa, waxa kale oo jira aflaan tiro badan oo uu ka qayb qaatay, marka laga yimaaddo sheeko-yaqaannada TV-ga ee “Hooyo” iyo musalsalka TV-ga ee “Ilaahay baa arkaa oo bixiya”; qaar baa boos joogto ah ka helay doodda qaran, sida "Bacda-haystaha" iyo "Gumwall".

Sannadkii 2003dii waanu u mahadcelinnay iyada oo raacaysa shirkadda dalxiiska ee quruxda badan ee barnaamijka majaajilada ah ee "Zelig".

Filmography muhiimka ah by Angela Finocchiaro

    >Ratataplan, waxaa qoray Maurizio Nichetti (1979) > 3> Il grumpo, by Castellano iyo Pipolo (1986)
  • Berrito ayaa dhici doonta, by Daniele Luchetti (1988)
  • Luisa, Carla, Lorenza iyo ... masaafada kalgacalka leh, by Sergio Rossi ( 1989)
  • I, Peter Pan, waxaa qoray Enzo De Caro (1989)
  • Dumarka qaaliga ah, waxaa qoray Adriana Monti (1989)
  • Darbiga caagga ah, ee Marco Risi(1991)
  • Bacda-haystaha, by Daniele Luchetti (1991)
  • Volere volare, ee Maurizio Nichetti (1991)
  • > 3> Waa laga saaray dembiga uu galay, by Alberto Sordi ( 1992)
  • Duufaantu waxay timi, by Daniele Luchetti (1992)
  • Bidoni, by Felice Farina (1995)
  • Markay tahay habeenka, filimka TV-ga, by Nanni Loy (1995)
  • Habeenkii ugu dambeeyay ee sanadka cusub, ee Marco Risi (1998)
  • >Hooyooyinka, filimka TV-ga, ee Angelo Longoni (1999) >Ha samayn guurto, by Sergio Castellitto (2004)
  • Lady, by Francesco Laudadio (2004)
  • 13dici miiska, by Enrico Oldoini (2004)
  • > 3> Bahalkii wadnaha , waxaa qoray Cristina Comencini (2005) >Chrsadaha duulimaadka,waxaa qoray Francesca Archibugi (2007)
  • Walaalkey waa ilmo keliya, waxaa qoray Daniele Luchetti (2007)
  • Jacayl, been iyo kubbadda cagta, waxaa qoray Luca Lucini (2008)
  • Maalin qumman, oo uu qoray Ferzan Ozpetek (2008)
  • Cosmos ku yaal laabta khaanadaha, oo uu hago Marcello Cesena (2008)
  • 3>Daanyeerka maanta, oo uu agaasimay Enrico Oldoini (2009)
  • Aniga, iyaga iyo Lara, oo uu agaasimay Carlo Verdone (2009)
  • Benvenuti al sud, oo uu agaasimay Luca Miniero (2010)
  • Kooxda Santa Claus, oo uu hagayo Paolo Genovese (2010)
  • >Bar Sport, oo uu maamulo Massimo Martelli (2011)
  • Casharada Chocolate 2, oo uu hagayo Alessio Maria Federici ( 2011)
  • Benvenuti al Nord, oo uu hagayo Luca Miniero (2012)
  • > Qorraxda gudaha, ee uu hagayo Paolo Bianchini Sophie Chiarello (2013)
  • Maxaad qiyaasi kartaamiyuu imanayaa kirismaska?, oo uu hagayo Fausto Brizzi (2013)
  • Madaxa qolka fadhiga, oo uu hagayo Luca Miniero (2014)
  • Dugsiga ugu quruxda badan aduunka, oo uu hago Luca Miniero (2014)
  • Latin Lover, oo ay maamusho Cristina Comencini (2015)
  • > Fasaxyada Kariibiyaanka - Filimka kirismaska, oo uu agaasimay Neri Parenti (2015) >Solo , waxaa haga Laura Morante (2016)

Glenn Norton

Glenn Norton waa qoraa ruug-caddaa ah iyo wax-soo-saare qiiro leh dhammaan waxyaabaha la xiriira taariikh nololeedka, dadka caanka ah, fanka, shaleemada, dhaqaalaha, suugaanta, moodada, muusiga, siyaasadda, diinta, sayniska, isboortiga, taariikhda, telefishinka, dadka caanka ah, khuraafaadka, iyo xiddigaha . Isaga oo wata dano kala duwan iyo rabitaan aan la dhayalsan karin, Glenn waxa uu bilaabay safarkiisa qoraal si uu aqoontiisa iyo aragtidiisa ula wadaago dhegaystayaal ballaadhan.Markii uu bartay saxaafadda iyo isgaarsiinta, Glenn waxa uu yeeshay il aad u xiisaynaya faahfaahinta iyo xirfadda soo jiidashada sheekada. Habka qoraalkiisa waxa lagu yaqaanaa hab-qoris xog-warran leh, haddana soo jiidasho leh, oo si aan dedaal lahayn u soo nooleeya nolosha shakhsiyaadka saamaynta leh, isla markaana u dhex-gala gunnada mawduucyo kala duwan oo soo jiidasho leh. Maqaalladiisa si wanaagsan loo baaray, Glenn wuxuu higsanayaa inuu maaweeliyo, wax baro, oo ku dhiirrigeliyo akhristayaasha si ay u sahamiyaan cajaladaha hodanka ah ee horumarka aadanaha iyo dhacdooyinka dhaqameed.Isaga oo iskii ugu dhawaaqay shaleemada iyo xiisee suugaanta, Glenn waxa uu leeyahay karti aan la garan karin oo uu ku falanqeeyo oo uu ku qeexo saamaynta fanku ku leeyahay bulshada. Wuxuu sahamiyaa is-dhexgalka ka dhexeeya hal-abuurka, siyaasadda, iyo hab-dhaqanka bulshada, isaga oo qeexaya sida ay curiyayaashani u qaabeeyaan miyir-qabkayaga. Falanqayntiisa muhiimka ah ee filimada, buugaagta, iyo tibaaxaha faneed kale waxa ay siisaa akhristayaasha aragti cusub oo ku martiqaado inay si qoto dheer uga fikiraan adduunka fanka.Qoraalka soo jiidashada leh ee Glenn wuu ka sii dheer yahayxaqiiqooyinka dhaqanka iyo arrimaha taagan. Isaga oo xiisaynaya dhaqaalaha, Glenn waxa uu u guntadaa hawlaha gudaha ee nidaamyada maaliyadeed iyo isbeddellada dhaqan-dhaqaale. Maqaalladiisu waxay u kala qaybiyaan fikrado kakan qaybo la dheefshiido, iyaga oo awood u siinaya akhristayaasha si ay u qeexaan xoogagga qaabeeya dhaqaalaheena caalamiga ah.Iyada oo hamuun ballaadhan oo xagga aqoonta ah, qaybaha kala duwan ee Khibrada Glenn ayaa ka dhigaysa blog-giisa meel meel-joojin ah oo loogu talagalay qof kasta oo raadinaya aragtiyo si fiican u soo koobmay mawduucyo tiro badan. Haddi ay tahay sahaminta nolosha dadka caanka ah, daah-furka siraha khuraafaadka qadiimiga ah, ama kala saarida saamaynta sayniska ee nolol maalmeedkeena, Glenn Norton waa qoraagaaga, isaga oo ku hagaya muuqaalka baaxada leh ee taariikhda aadanaha, dhaqanka, iyo guusha .