Biography

André Derain waxa uu ku dhashay 10 June 1880 ee Chatou (Paris), qoys qani ah bourgeois ah. In kasta oo aabbihiis rabitaanka, yaa jeclaan lahaa inuu noqdo injineer, 1898-kii wuxuu iska diiwaan geliyay Julian Academy; sanadaha soo socda wuxuu la kulmay Maurice de Vlaminck iyo Henri Matisse: labaduba waxay ku qanciyeen inuu naftiisa u huro rinjiyeynta. Xaqiijinta "Aaska" waxay dib ugu noqotaa 1899 (hadda waxaa lagu ilaaliyaa "Pierre iyo Maria-Gaetana Matisse Collection" ee New York), halka laba sano ka dib ay tahay "The kororka Calvary" (maanta Kunstmuseum ee Bern, Swiss).

Markii hore, wuxuu rinjiyeeyay muuqaalo aan la isku qasin, midabo saafi ah oo ay weheliyaan Seine, oo uu saameeyay Vlaminck; Shan iyo labaatan kaliya waxa uu fursad u haystaa in uu ku soo bandhigo, Fauves-ka, Salon d'Automne iyo Salon des Independants. Dhab ahaantii, u hoggaansanaantiisa fauve hadda lama odhan karo waa wadar, laga bilaabo shaqadiisii ​​​​ugu horreysay, oo lagu kala soocay dhawaaqyo la safeeyey iyo xulashooyin chromatic ah (sida, tusaale ahaan, "L'Estaque"): André Derain , dhab ahaantii, wuxuu aaminsan yahay inuusan ku caawin karin, laakiin wuxuu ku dhejiyaa farxadda midabada ee is-waafajinta qadiimiga ah ee halabuurka, iyada oo la raacayo shaqooyinka sayidyadii hore ee uu yahay mid aad u jecel. .

Sannadkii 1905 waxa uu rinjiyeeyay waxyaabo ay ka mid yihiin, "The agagaarka Collioure", "Portrait of Henri Matisse" iyo" Lucien Gilbert". Ka dib muddo gaaban oo u dhow Paul Gauguin(inta lagu guda jiro hoos u dhac ku yimid noolaanshaha midabada), 1909 wuxuu fursad u helay inuu muujiyo mugga gabayo ee uu qoray Guillaume Apollinaire; saddex sano ka dib, si kastaba ha ahaatee, isaga oo farshaxan u gaar ah ayuu ku qurxiyey ururinta maansooyinka Max Jacob. Ka dib markii la sawiray, 1916, buuggii ugu horreeyay ee André Breton, iyo - ka dib - sheekooyinkii Jean de La Fontaine, Derain wuxuu abuuray sawirada daabacaadda Petronio Arbitro's "Satyricon". Dhanka kale, wuxuu sii wadaa inuu rinjiyeeyo: wuxuu fursad u haystaa inuu u dhawaado Pablo Picasso (laakiin wuxuu ka fogaadaa farsamooyinka geesinimada leh ee Cubism), si uu markaas ugu laabto chiaroscuro iyo aragti, go'aan ka sii dhaqameed. Ka dib markii farshaxanno badan oo Yurub ah oo kale oo waqtigiisa ah (sida Giorgio De Chirico iyo Gino Severini), sidaas darteed waa jilaagii soo noqoshada nidaamka iyo foomamka qadiimiga ah, soo dhawaada waxa ka dhacaya Jarmalka oo leh Ujeedada cusub. 9>. Laga soo bilaabo 1911, waxa loogu yeero xilliga Gothic ee André Derain ayaa bilaabmaya, oo lagu gartaa saamaynta farshaxanimada Afrika iyo horudhaca Faransiiska: bilahaas wuxuu rinjiyeeyaa nolosha iyo tirooyinka gaarka ah (xusuusnow "Sabtida" iyo " cashada"). Laga bilaabo 1913-kii, farshaxan-yaqaanka Parisi wuxuu xoogga saaray sawir-gacmeedka: sawir-qaadis, laakiin sidoo kale muuqaallada iyo sawirrada.

Ka dib markii dhinacyada, dhamaadkii dagaalkii koowaad ee aduunka, ka dhanka ahfaafinta Surrealism iyo Dadaism, oo loo tixgeliyey dhaqdhaqaaqyada farshaxanka, wuxuu naftiisa u huray daraasadda rinjiyeyaashii hore intii lagu jiray safar uu ku tagay Castel Gandolfo iyo Rome. Sannadihii 1920-aadkii ayaa u taagan guushii ugu sarreysay ee uu gaaray. In 1928 André Derain wuxuu helay abaalmarinta "Carnegie", oo la siiyay shiraac "The Hunt", isla muddadaas wuxuu soo bandhigay shaqadiisa London, Berlin, New York, Frankfurt, Duesseldorf iyo Cincinnati .

Intii lagu jiray qabsashadii Faransiiska ee Jarmalku, Derain waxa uu ku hadhay Paris, in kasta oo Jarmalku u damqaday isaga oo wakiil ka ah sharafta dhaqanka Faransiiska. In 1941, isagoo diiday jihada dugsiga sare ee qaranka ee farshaxanka wanaagsan ee Paris, waxay safar rasmi ah ku tagtay Berlin, iyada iyo fanaaniinta kale ee Faransiiska, si ay uga qayb qaataan bandhigga Nazi ee farshaxanka Arno Breker. Joogitaanka Derain ee Jarmalka waxa ka faa’iidaystay dacaayadii Hitler, ilaa heer laga gaadho in Xoriyadda ka dib, fannaanka lagu tilmaamo wada shaqayn iyo in badan oo ka mid ah kuwii hore u taageeri jiray.

Waxa sii kordhaysa ka go'doonsan dunida inteeda kale, horraantii 1950-meeyadii > André Derain waxa ku dhacay caabuq isha oo aanu waligii si buuxda uga soo kaban doonin. Wuxuu ku dhintay 8 Sebtembar 1954 Garches, Hauts-de-Seine, oo uu ku dhacay baabuur.

Derain caleemahaDhaxalka rinjiyeynta ayaa si xoog leh u saameeyay Neo-Impressionism (gaar ahaan bilawgii qarnigii labaatanaad) iyo wax soo saar go'aansan oo aan inta badan ku sifoobin dabiiciga dabiiciga ah ee loo yaqaan Caravaggio. Ku xidhidhiyaha bilicda Fauve isagoon waligiis si buuxda ugu dheggan, André Derain waxa uu daaha ka qaadayaa farshaxan aad u deggan, iftiimaya oo ka kooban iyada.