Biography • Aristocracy faneed

> Luchino Visconti waxa uu ku dhashay magaalada Milano 1906dii waxa uu ka noqday qoys aristocratic ah oo qadiimi ah. Markii uu yaraa waxa uu ku soo noqnoqonayay masraxa qoyska ee La Scala, halkaas oo uu xiisihiisa weyn ee melodrama iyo masraxa guud ahaan horumariyay (sidoo kale xoogga waxbarashadiisa cello), kicinta keentay inuu aad u safro isla markii uu awooday in la sameeyo. Qoysku waxay leeyihiin saameyn aasaasi ah oo ku saabsan Luchino da'da yar, sida aabbihiis wuxuu abaabulaa bandhigyada masraxa ee asxaabtiisa, wuxuu hagaajiyaa sida qurxinta bandhigga. Dhalinyaranimadiisii ​​nasasho la'aan, dhowr jeer ayuu ka cararay gurigii iyo dugsigii hoyga. Waa arday xun laakiin akhriste aad u jecel. Hooyadii ayaa si shakhsi ah u daryeesha tababarkiisa muusiga (aynaan iloobin in Visconti uu sidoo kale ahaa agaasimaha masraxa aasaasiga ah),> Luchino waxay kobcin doontaa xiriir qoto dheer oo gaar ah iyada. Ka dib markii uu ku ciyaaray fikradda ah in uu naftiisa u huro qorista, wuxuu naqshadeeyaa oo ka dhisaa moodal deggan San Siro, oo u dhow Milan, wuxuuna si guul leh naftiisa ugu huray taranka fardaha.

Si kastaba ha ahaatee, qof weyn, si kastaba ha ahaatee, wuxuu degi doonaa waqti dheer Paris. Intii uu joogay magaalada Faransiiska waxa uu nasiib u yeeshay in uu barto shakhsiyaad dhaqameed caan ah sida Gide, Bernstein iyo Cocteau. Dhanka kale, isagoo iibsaday kamarad, wuxuu ku toogtay filimka hiwaayadda ee Milan. Noloshiisa jacayl waxa astaan ​​u ah isku dhacyoRiwaayad leh: dhinac waxa uu jacayl u qaaday dumaashidiis, dhinaca kalena waxa uu bilaabay xidhiidho khaniis ah. Marka xiisaha shaleemada ay noqoto mid degdeg ah, saaxiibkiis Coco Chanel wuxuu u soo bandhigay Jean Renoir Visconti wuxuu noqonayaa kaaliyaha iyo naqshadeeyaha dharka ee "Una partie de campagne".

Sidoo kale eeg: Taariikh nololeedka Lionel Messi

Sidoo kale xiriir lala yeesho wareegga Faransiiska oo u dhaw xisbiga caanka ah iyo xisbiyada dhagaxa ah ee u dhaw dhaqdhaqaaqaas, kuwaas oo, isla markiiba lagu soo celiyay fal-galkiisii wareegyada, halkaas oo uu kula kulmi doono indheergarad-diidka faashiistaha ee caliber ee Alicata, Barbaro iyo Ingrao. Sannadkii 1943-kii waxa uu agaasime ka ahaa filimkiisii ​​ugu horreeyey ee “Ossessione” oo ahaa sheeko madmadow leh oo ku saabsan laba jacayl oo gacan-ku-dhiigleyaal ah, oo aad uga fog codadka macaan iyo aftahanimada ee shaleemada xilligii Faashiistaha. Ka hadalka ku saabsan "Ossessione" wuxuu bilaabay inuu ka hadlo neorealism iyo Visconti waxaa loo tixgeliyey (ma ahan boos celin iyo dood) horudhac u ah dhaqdhaqaaqan.

Tusaale ahaan, isaga waa kii caanka ahaa ee "Dhulku wuu gariiray" 1948-kii (oo lagu soo bandhigay Venice si guuldarro ah), laga yaabee isku daygii ugu xagjirsanaa ee shineemo Talyaani si loo helo gabayada neorealism.

Dagaalka ka dib, oo barbar socda shaleemada, dhaqdhaqaaq tiyaatar oo aad u xoog badan ayaa bilaabmaya, oo gebi ahaanba dib u cusbooneysiinaya doorashada riwaayadaha iyo shuruudaha hagida, iyada oo la doorbidayo qoraallada iyo qorayaasha ajnabiga ah ee tiyaatarada Talyaaniga.ilaa wakhtigaas.

In dhexda u ah abuurista "La terra trema", Visconti wali waxay abuurtay masrax aad u badan, oo ay ku jiraan, kaliya in la xuso dhowr magacyo muhiim ah oo la sameeyay intii u dhaxaysay 1949 iyo 1951, laba qaybood oo ah "tram" loo yaqaan rabitaan, "Oretes", "Dhimashada iibiye" iyo "Sducer". Daawaynta "Troilo e Cressida" ee daabacaadda 1949 ee Maggio Musicale Fiorentino ayaa ka dhigaysa wakhti. Halkii, waa laba sano ka dib "Bellissima", filimkii ugu horreeyay ee la toogtay Anna Magnani (ka labaad wuxuu noqon doonaa "Siamo donne, laba sano). ka dib ").

Guusha iyo fadeexada ayaa soo dhaweyn doona filimka "Sense", oo ah abaal-gud u ah Verdi, laakiin sidoo kale dib u eegis muhiim ah oo ku saabsan Risorgimento talyaani, kaas oo sidoo kale lagu weerari doono taageerayaasheeda joogtada ah. Ka dib markii uu soo bandhigay "Come le folle" by Giacosa, 7 December 1954, bandhiga "La Vestale" ayaa dhacay, daabacaad weyn oo Scala ah oo aan la ilaawi karin oo leh Maria Callas. Sidaas ayuu ku bilaabmay kacaankii aan laga noqon karin ee uu Visconti u keenay jihada melodrama. Wadashaqeynta fannaanka ayaa siin doonta guriga opera adduunka daabacaadaha quruxda badan ee "La Sonnambula" iyo "La Traviata" (1955), "Anna Bolena" ama "Iphigenia in Tauride" (1957), had iyo jeer iyadoo lala kaashanayo kirishbooyada ugu weyn Waqtigaas, kuwaas oo mid ka mid ah uusan ku guuldareysan karin inuu sheego Carlo Maria Giulini.

Sidoo kale eeg: Taariikh nololeedka Marco Tronchetti Provera

Dhammaadka 50-meeyadii iyo horraantii 60-meeyadii waxa si cajiib ah u kharash gareeyayVisconti inta u dhaxaysa tiraabta iyo guryaha opera iyo shineemo: kaliya xuso dejinta "Salomè" ee Strauss iyo "Arialda" iyo labada filim ee waaweyn, "Rocco iyo walaalihiis" iyo "Leopard". Sanadkii 1956, wuxuu sameeyay "Mario iyo Magician", oo ah ficil choreographic ah ee sheekada Mann iyo, sanadka soo socda, ballet " Marathon qoob ka ciyaarka ". Sannadkii 1965-kii, "Vaghe stelle dell'Orsa..." wuxuu ku guuleystay Libaaxa Dahabka ah ee Bandhigga Filimada Venice iyo sacab weyn ayaa ku salaamay Chekhov's "The Cherry Orchard" ee Teatro Valle ee Rome. melodrama, ka dib guushii 1964 ee abuurista "Il Trovatore" iyo "Le nozze di Figaro", wuxuu sameeyay "Don Carlo" isla sanadkaas ee Rome Opera House.

Ka dib markii filimka muranka dhaliyay ee Camus' "The Stranger" iyo guulo kala duwan ee masraxa, Visconti waxay dhamaystiraysaa mashruuca Jarmal Jarmal ah "The Fall of Gods" (1969), "Death in Venice" (1971) iyo "Ludwig" (1973).

Inta lagu jiro samaynta Ludwig, agaasimuhu waxa ku dhacay istaroog. Lugta bidix iyo cududba waxa uu ku sii curyaanayaa, xataa haddii aanay taasi ku filnayn inay hor istaagto hawlihiisa faneed ee uu si niyad-sami la’aan ah u wado. Waxa uu mar kale samayn doonaa daabacaadda "Manon Lescaut" ee Festival dei Due Mondi ee Spoleto iyo "Old Time" ee Pinter, labadaba 1973, iyo, shineemo, "Kooxda qoyska gudaha gudaha"(playplay ay sameeyeen Suso Cecchi D'Amico iyo Enrico Medioli), iyo ugu dambeyntii "The Innocent", oo noqon doona labadiisii ​​filim ee ugu dambeeyay.

Wuxuu dhintay 17-kii Maarso, 1976-kii, isagoon nooga tegin mashruuca, kaasoo uu waligiis jeclaa, ee filimka Marcel Proust ee “In Search of Lost Time”.